{"id":3570,"date":"2025-03-29T19:37:14","date_gmt":"2025-03-30T02:37:14","guid":{"rendered":"https:\/\/worldhistoryportal.com\/?p=3570"},"modified":"2025-03-29T19:37:14","modified_gmt":"2025-03-30T02:37:14","slug":"las-calavera","status":"publish","type":"post","link":"https:\/\/eccser.org\/history\/2025\/03\/29\/las-calavera\/","title":{"rendered":"The Works of Posada"},"content":{"rendered":"\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/worldhistoryportal.wordpress.com\/wp-content\/uploads\/2025\/03\/15410posada.jpg?w=474\" alt=\"\" class=\"wp-image-3571\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">The prints of Jos\u00e9 Guadalupe Posada (1852\u20131913) remain among the most iconic and influential examples of how popular culture became a vehicle for political and social critique in late 19th- and early 20th-century Mexico. Through his distinctive engravings and illustrations\u2014widely circulated in broadsheets, pamphlets, and newspapers\u2014Posada gave visual expression to the frustrations and hopes of Mexico\u2019s working class, who bore the weight of Porfirio D\u00edaz\u2019s authoritarian modernization. His art offered not just entertainment, but sharp satire, often skewering the excesses of the bourgeoisie and exposing the deep injustices of D\u00edaz\u2019s regime. Posada\u2019s images struck a chord with the public, weaving together acerbic commentary with elements of folk tradition, religious symbolism, and the vivid iconography of Day of the Dead calaveras\u2014motifs he helped bring into popular consciousness. Though he died in poverty and relative obscurity, Posada\u2019s influence far outlived him. He is now hailed as the &#8220;printmaker of the Mexican people,&#8221; a tribute to his deep connection with the humor, struggles, and resilience of everyday Mexicans. His prints not only captured a turbulent era in Mexican history but also paved the way for future generations of politically engaged artists\u2014including the Mexican Muralists, such as Diego Rivera, who saw Posada as a foundational figure in the evolution of modern Mexican art.  Consider the following questions as your read the selections below:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>How does electricity represent progress or danger in this work?<\/li>\n\n\n\n<li>What might Posada be saying about the role of technology in relation to life and death? Is it liberating, dehumanizing, or both?<\/li>\n\n\n\n<li>How did political and social conditions during Porfirio D\u00edaz\u2019s regime influence Posada\u2019s imagery in this piece? <\/li>\n\n\n\n<li>What do you think the &#8220;American mosquito&#8221; symbolizes in this piece? Is it just a pest, or does it represent something more \u2014 like imperialism, capitalism, or foreign intervention?<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Complete the&nbsp;<strong><a href=\"http:\/\/whpsu.com\/000forms\/whpsource.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Primary Source Analysis Form<\/a>&nbsp;<\/strong>when finished for your records.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Great Electric Skeleton<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-left wp-block-paragraph\"><em>Subheading: <\/em>The first of November, Like devils will run The electric street cars That go out to Dolores[cemetery in Mexico City].<\/p>\n\n\n\n<p class=\"has-text-align-left wp-block-paragraph\"><em>Verse 4: <\/em>The electricity will be Of the strongest, se\u00f1ores, There will be dead folks and skeletons On their crop-tailed horses.<\/p>\n\n\n\n<p class=\"has-text-align-left wp-block-paragraph\"><em>Verse 10:<\/em> Into the light of many lamps Lit by our electricity The dead there [at Dolores Cemetery] will emerge, From their tombs to dance.<\/p>\n\n\n\n<p class=\"has-text-align-left wp-block-paragraph\"><em>Verse 24: <\/em>The electric street cars \u00a1So many people they\u2019ll bringTo turn them into skeletons With pure electricity!<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/worldhistoryportal.wordpress.com\/wp-content\/uploads\/2025\/03\/15410cala1.jpg?w=762\" alt=\"\" class=\"wp-image-3574\" style=\"width:719px;height:auto\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>The American Mosquito<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Subheading: <\/em>The American Mosquito Has just now arrived; They say that it came to walk around On our Mexican soil.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Verse 1:<\/em> They say it started on Sunday Over there in Laredo, Texas, Biting on the ears Of some old women at the Station. It made them run around Until it made them sweat This inhuman beast: The American Mosquito.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Verse 2:<\/em> It proceeded on to Guanajuato, This is a laughable thing, It never made it to the center of town, But it was in Marfil. Now they suffer no more Such a rude and haughty thing, Why it bit an old soldier Right on his behind. Because it\u2019s really very crude The American Mosquito.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Verse 3:<\/em> It went off toward Irapuato And passed through P\u00e9njamo; From there it returnedThrough the village of Uriagato, The hacienda of Villachato It left all in shambles; All the people frightened As their buddy Mariano found them, Grandma Emeteria shouted: The American Mosquito.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Verse 4:<\/em> Through the ports of San Juan Piedra Gorda and la Sand\u00eda, An old woman said: \u201cJesus, what a ferocious beast!\u201d Tell me Don Pascual Has the Mosquito arrived? They say it\u2019s really tiny, And also very beastly; What does it say papa Pachito The American Mosquito?<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/worldhistoryportal.wordpress.com\/wp-content\/uploads\/2025\/03\/15410cala2.jpg?w=516\" alt=\"\" class=\"wp-image-3576\" style=\"width:717px;height:auto\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>The prints of Jos\u00e9 Guadalupe Posada (1852\u20131913) remain among the most iconic and influential examples of how popular culture became a vehicle for political and social critique in late 19th- and early 20th-century Mexico. Through his distinctive engravings and illustrations\u2014widely circulated in broadsheets, pamphlets, and newspapers\u2014Posada gave visual expression to the frustrations and hopes of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[6],"tags":[],"class_list":["post-3570","post","type-post","status-publish","format-standard","hentry","category-primary-sources"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/eccser.org\/history\/wp-json\/wp\/v2\/posts\/3570","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eccser.org\/history\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eccser.org\/history\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eccser.org\/history\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/eccser.org\/history\/wp-json\/wp\/v2\/comments?post=3570"}],"version-history":[{"count":0,"href":"https:\/\/eccser.org\/history\/wp-json\/wp\/v2\/posts\/3570\/revisions"}],"wp:attachment":[{"href":"https:\/\/eccser.org\/history\/wp-json\/wp\/v2\/media?parent=3570"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eccser.org\/history\/wp-json\/wp\/v2\/categories?post=3570"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eccser.org\/history\/wp-json\/wp\/v2\/tags?post=3570"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}